story by Melanie Falina
By appearances alone, one might think this three-piece band would
hit the stage and play a typical rock gig. Yet The Steepwater Band,
who began their trek in the blues genre, continues to glide over the
muddied waters of the murky business side of the music industry while
remaining true to their sound, which is anything but "typical"
rock and roll.
Having recently been crowned the 2005 TwangOff competition champions,
vocalist and guitarist Jeff Massey is humbled by the win and the experience.
"They start out with 27 bands," he explains. "You go
and play like a short 40-minute set, and they judge you by stage presence,
how the crowd responds to you, and your material. You'd think by the
name it's only country bands, but there were all different kinds of
bands there: roots-rock, country, bluegrass."
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MASSEY'S INNER VIEW
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"There's not one song we do onstage
that we don't like or we're unsure about. If we're not
feeling it, we don't play it."
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In their second year of festivities, the TwangOff competition pits
acts together in a battle-of-the-bands sort of arrangement who are
judged by an array of record company executives, press, national acts,
and other music industry personnel. "But I kind of take it with
a grain of salt," Massey adds. "It's hard to say whose band's
better. A lot of the bands we went up against were really good."
Like the competition itself, The Steepwater Band's sound is also
eclectic. Having been called blues, country, roots-rock, and psychedelic,
Massey doesn't disagree with any of those genres being ascribed to
their sound, but insists that their solidly planted blues roots have
given birth to a unique sound.
"The band we played in before Steepwater was kind of a straight
blues band. We were way into blues and we were trying to learn Muddy
Waters and John Lee Hooker songs like right off the records. We learned
a bunch of blues covers and we just started writing songs based on
that blues background, you know, in Chicago and going to blues clubs.
Now we just write songs and we don't really question it too much,"
insists Massey. "A lot of [our material] has got a blues foundation
to it, but you can't really call us a blues band."
The group is well respected for their improvisational ability, but
it's a skill Massey doesn't give much credence. "When we play
live we improvise a lot, but we're more about writing good songs and
not just jamming to jam. You've got to have a decent guitar in there
first. You can feel when it's right to do that and when it isn't."
With three releases now under their belts, The Steepwater Band simply
wants to keep doing what they're doing. "We just want to be working,"
Massey continues. "We've been around for awhile, but now I feel
we've got kind of a rebirth going on. Becoming a three-piece again
we're
having more fun than we have in a long time. You can get caught up
in the business crap and if you're doing it for any other reason than
[because] you want to, then that's not fun. We like what we do right
now. It's cliché but true: you don't want to compromise because
what's the point then? There's not one song we do onstage that we
don't like or we're unsure about. If we're not feeling it, we don't
play it."
The Steepwater Band :: with Frank Bang's Secret Stash and 8th Grade::
Double Door :: April 16.